Sony has announced that their reboot of the Spider-Man franchise is joining the 3D bandwagon and will be released in the format when the summer of 2012 rolls around. This will be the first time [click for more]
We continue our look back at the Cinematic decade just passed with a round up of the best and worst the comic book adaptation genre had to offer. Best: Batman Begins (2005) The sequel, The [click for more]
In the eight days since Sam Raimi walked away from the Spider-Man film franchise he built into a moneymaking powerhouse over a disagreement with studio Sony over the creative direction of a planned fourth installment [click for more]
We continue our look back at the cinematic decade that has just passed with a look at what has become the fastest growing genre of film, the comic book adaptation. As the 1990s came to [click for more]
After weeks of rumored contentious back and forth over the direction of the franchise, Sony Pictures and Marvel Studios have released a statement saying that the Spider-Man franchise is set to be revamped–without Sam Raimi [click for more]
1. Everybody’s Fine (Miramax, 2,133 Theaters, 100 Minutes, Rated PG-13): Wow, that is some bad photoshopping on the poster there. Granted, I know a star the magnitude of Robert DeNiro could not be expected to attend a [click for more]
The inspiration certainly came from the success the Estate of Jerry Siegel experienced in regards to reclaiming the copyright for Superman from DC Comics/Warner Brothers. The timing certainly has a lot to do with Marvel’s [click for more]
1. Up (Disney, 3,766 Theaters, 96 Minutes, Rated PG): One of the most amazing things about Pixar, at least in the past few years, is that they can take concepts that don’t seem that they would [click for more]
If you are a fan of comic book movies, and find 2009’s slate to be a little underwhelming, be patient. Because 2010 is shaping up to be a great year for comic book movie fans. [click for more]
Oh, Sam Raimi. Why must you taunt me so? I’ve long been a fan of the director’s work since I first saw Evil Dead 2 in college in 1988. His unique and energetic visual style places [click for more]
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