A Third 20,000 LEAGUES Project?!
It seems like only yesterday that we were telling you about two competing projects based on the public domain Jules Verne adventure novel 20,000 Leagues Under The Sea. (In fact, it was.) Now it looks [click for more]
It seems like only yesterday that we were telling you about two competing projects based on the public domain Jules Verne adventure novel 20,000 Leagues Under The Sea. (In fact, it was.) Now it looks [click for more]
1. Robin Hood (Universal, 3,503 Theaters, 140 Minutes, Rated PG-13): This film could have been so much better. You can’t often say that sort of thing before you even see the film, but in this [click for more]
I have to admit that I am a little leary about director Ridley Scott’s upcoming take on the Robin Hood legend. Not because I don’t like the director’s previous work. Far from it. I think [click for more]
1.Fame (MGM, 3,096 Theaters, 107 Minutes, Rated PG): Not a very good week for originality. We have a remake, what seems like it could be a remake, and a graphic novel adaptation. We will eventually [click for more]
Director Ridley Scott is returning to the franchise he launched in 1979, Alien. The new film will be a prequel, which will presumedly look at how at relentless alien killing machines wound up on the [click for more]
We’ll start off the week with the first look at Russell Crowe in director Ridley Scott’s upcoming Robin Hood film. Click on the image for an enlarged view of Crowe stalking through the woods of [click for more]
Geek Gear- Something so absolutely geeky you have no choice but to acquire one as quickly as possible. Stuck in a neo-noir future Los Angeles with no hope of a new life on the Off [click for more]
1. The Express (2,808 Theaters, Rated PG): You could probably make 4 or 5 movies based on the life of Ernie Davis. You could focus, like this one does, on the his battle with racism. You [click for more]
Although it confused critics and audiences in its initial 1982 release, Ridley Scott’s science-fiction noir Blade Runner remains, a quarter of a century later, not only one of the most important films in the director’s [click for more]
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