Comic Creator Credit: What Can Be Done?
We close out our series by giving suggestions on how creators can help themselves and how the fans can help them. [click for more]
We close out our series by giving suggestions on how creators can help themselves and how the fans can help them. [click for more]
Ed Brubaker’s complains about his Winter Soldier pay made the rounds of the news media three months ago and then fizzled out. Today, we discuss why he was the wrong man at the wrong time to make any serious change. [click for more]
A bunch of rock star artists think they’d be better going on their own than work for Marvel. Marvel thinks the rock stars are imminently replaceable. They are both right. [click for more]
Contractually, WATCHMEN should belong to Alan Moore and Dave Gibbons> Did DC Comics screw them over, or did changing way comics are sold stab them in the back? [click for more]
Some characters are rip offs of other characters, some are homages. But if you want to make a statement, you use a pastiche. [click for more]
Marvel gets aggressive to protect its characters from another copyright termination threat. The creators have changed but who is representing them hasn’t. And that is a bad thing. [click for more]
People want simple answers to the question of who created what character, but it is seldom that simple. [click for more]
Steve Gerber was one of the most creative minds of 1970s. But when he tried to claim the copyright to one of his most famous creations, everything got fowled up. [click for more]
Unions have been protecting the rights of workers for decades. Why hasn’t one sprung up in comic books yet? A 1978 attempt to unionize shows us why. [click for more]
Before Image, there was a company that allowed top-name creators create and own their own characters. That company was Star*Reach. [click for more]
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