The Notorious Bettie Page

 

Reviewed by Rich Drees

 

     With her jet black bangs and aura of innocent yet playful sexual charm, Betty Page not only became a pinup sensation in the 1950s, but has since become something of a feminist icon. But while Page is instantly recognizable to most people, those same people would be hard pressed to be able to tell you one fact about her life. Beautifully shot in black and white with occasional sections with oversaturated color that recall many 1950s movies, The Notorious Bettie Page attempts to covers the model’s life from her upbringing in Tennessee to the end of her modeling career in 1958. However, by its end, the audience is left with no more real knowledge of who Page was than they walked into the cinema.

 

     Director Mary Haron (American Psycho) has constructed a portrait of Page that parallels her photos- all surface and no depth. Clocking in at just 90 minutes, the film skims through the events in Page’s life, barely touching on moments that would be touchstone scenes in other bio-pics. Page’s sexual abuse at the hands of her father is so obliquely alluded to that most will be apt to miss the reference all together while Page’s disastrous first marriage is covered in a thirty second montage.

 

     Instead, the film is more concerned with recreating some of Page’s more famous photo shoots and other public moments of her life. While we see her at various modeling sessions that will yield some of her most famous work, the film rarely digs deep into Bettie’s life, never trying to illuminate her in any way. Betty, as portrayed by Gretchen Moll, comes across as innocent, almost naïve, about her sexuality. She is totally comfortable with her body and posing nude, viewing her modeling sessions as nothing more than playful romps. The leather corsets and fetishistic boots she’s given to wear she simply refers to as “costumes.”

 

     But as photographer Bunny Yeager (played here by Sarah Paulson) states of Bettie, “When she’s nude she doesn’t seem naked.” The same could be said for the movie as well. It shows us a woman who was brought up in a strict southern religious household, yet who has no qualms about posing nude. While during an S&M photo shoot, Page and photographer John Willie (Jared Harris) briefly discuss this. “God gave me a talent to pose for pictures,” she tells Willie, seemingly oblivious to the fact she is tied spread-eagle standing up. “It makes people happy, so it can’t be a bad thing.” Even years later, after she had left modeling and undergone a religious awakening, Page remained unapologetic about her past life. However, we never see the process of how she came to reconcile such seemingly disparate elements of her life. Instead, we are left with just a tease about who the real Bettie might have been, but given the subject matter, that seems almost appropriate.